Porches

Open fields were flattened into dusty pans by the Colorado sun, and an old thermostat shaped like a coke bottle read eighty-six degrees that noon. I stood in a narrow line of shade cast by a dusty porch pillar. A thin layer of dirt and cobwebs clung to the house’s beige siding, and behind me, the wide lawn was yellowed by heat. Rain refused to land in those weeks; wildfire smoke colored the sky day and night.

At my feet sat two bags of medically tailored, frozen meals that I volunteered to deliver to Project Angel Heart clients, all of whom live with a life-challenging illness.  On this porch in a Denver suburb, I knocked and waited, hoping that a favorite client was well enough to make it to the door. As the sun baked my bare calves, I heard “Omar” approach. Tall and a bit stooped, he opened the door slowly, and smiled. One of his eyes was bluer than the other, and light shone from his brown skin like it does through oak leaves in November. I was fifty-two that summer and wouldn’t be surprised if Omar was twice my age.

When he asked how I was that day, I told him, I’m doing fine, but I get discouraged about this country sometimes, you know? Only six months earlier, President Obama had left office. Omar thought for a moment, leaning his tall body against the door frame. Then he touched his heart and said, Just look in here. Hand on chest, he reminded me:  This is where it all starts.  

A few Fridays later, Omar’s blue shirt bore a stain of food debris where a military honor might have been pinned.  How are you doing? I asked him.

I feel pretty good, then not so good. He said. I got hope, though. I do have hope.

What are you hoping for?

Well, it’s a general hope, he told me, and the lines of his face softened. We got some problems in this world. But the Creator put it all there. Ain’t nothing missing.

That is the truth, I responded.

Here’s the thing, he went on, the inside and the outside, you know, one of those is more important. And that’s the inside. He looked past me into the distance. As he took a deep breath, the bones of his sternum rose, suggesting he could gently lift up and fly away. The subjective is the inside. And culture can’t touch that. That’s what my mother taught me. What we make on the inside? That’s the real culture.

I haven’t seen Omar in almost a year. I volunteer less often lately, and my routes are more varied. One of the last Fridays I saw him, Omar opened the door wide and invited me inside. I have a bag for you, he told me. In those pre-Covid days, volunteers returned clients’ delivery bags to Angel Heart’s office so they could be re-used.

I stepped from the porch into his living room. The house was bright inside, with a comfortable clutter of books and papers scattered about. A 1940’s jazz tune swirled out of his stereo.

How are you today? I asked.

I’m not so well. It’s hard when you’re old, he responded.

 Well, I love the music you have on.

I don’t like the TV. I just listen to this all day. He waved his long fingers toward the stereo. It’s messy in here, he said, shuffling toward the kitchen. On the wall was a framed photo of a younger Omar, with round cheeks and dark hair. And amid family photos, a portrait of a brown-eyed Jesus gazed down from the wall. Reds and greens animated his Kente cloth robe as he held his hands out in welcome, at the table of communion.

Omar returned with the delivery bag. This music makes me want to dance, I said. He grinned at me and straightened his back.

Well, you go right ahead. I wish I could join you!  He moved one foot out to the side, then back to the center again. Here we go! he said. We stood giggling together for a moment, with Jesus looking on.

I said, Well, you just gotta be sure and not dance too fast after I go. Take it easy now! He smiled, then lowered his head and walked me to the door.

 Oh, I’ll be careful, don’t you worry. And thanks for the food. You take care out there!

I stepped off his porch, heading to my next delivery, as the door closed behind me.

Decorated Meal Bag
Loading up for April delivery

Indiana Lake Shore, c 1971

The hilltop dune rises above Michigan’s shore in an arc of pure white, ancient as the lurching staircase. Handrails offer splinters to the grip of a summer child, and bare feet, tender from the climb, wind the apex path past a mottled green door to the crest of ribbon sand shining in late morning sun. Eternal sky-face above the blank-white ridge, spikes of tall grass dividing into soft trail that will fall, fall, fall under her weight.

Mouth closed, should she drop from flight head-first and gasp grains of sand. Legs lift, then touch into drifts of forgiving white. Speed at the turning, and impossible freedom. Laughter erupts like the wild cry of a gull, to fall and fall and fall.

Under her feet, dry sand sings a whale song.

Dune angles away. Breath catches solid earth while a heart is beating and the lake is laughing its own blue-green witness. Then the magnetic southerly lean, hand reaching to grasp the brown rail squared above wooden risers. Breathe and ascend, touching every tread, toe after toe, to the velvet top of the sand hill roost.

 And run it again.

On the hilltop with Mamma

Colfax and Monroe

In 1985, almost twenty and on my own in Denver, I worked as a hostess at a restaurant on the fringe of downtown. Legend had it that the building–three narrow floors encased by roughhewn brick–had once housed a brothel. My manager called me the “door whore” and made sport of sidling up to me to brush his hand against my behind.

The gleaming wives and glittering girlfriends of Denver’s powerful men would sashay through the large glass doors with a gust of winter wind. Standing next to my podium, they shrugged off their fur coats for me to catch mid-air. I hung those expensive wraps in a long, oak-paneled room that soon filled with the smell of designer perfume—Cline’s Obsession, Dior’s Poison. During lulls on busy Saturday nights, my fingers brushed along the comforting softness of mink, raccoon, and fox. At the end of the night, rich men veiled in cigar smoke filled my tip jar with five-dollar bills.  Their cash paid for white Russians at the corner bar, or– sometimes—for lines of cocaine at all-night parties.

Finally away from the small flat house in Florida where my mother drank and raged, the sane and stable independence I’d envisioned eluded me. Instead, a gnawing loneliness festered under my rib cage, growing sharp and dangerous edges.  I shared an apartment off the corner of Colfax and Monroe–a block from the number fifteen bus downtown–with a roommate I once hoped to befriend but now avoided. A few nights a week were spent with my boyfriend, who liked to “wake and bake” on his days off, pressing his mouth to a bong as he sat up in bed, then raising his glazed eyes to the late morning.  Sometimes, he and I would walk from his place near Cheeseman Park to a small grocery and buy Soft Batch cookies to binge on together. The chemical sweetness of those cookies was choking, but like so many things then, I thought I could take it, that I should be able to withstand any discomfort, no matter how tainted.

That second winter away from home, a long coke high morphed into depression and thoughts of suicide. I sat in the back of a cab one night after work, under the midnight streetlamps, and watched the reflections of tidy brick bungalows flick past the window.  Families lived there who were safe and normal, people who knew how to be good, to be happy. As the cab pulled over on Monroe Street, I quietly handed the driver a small wad of one-dollar bills.

As I entered the dark vestibule and trudged up the grimy flight of stairs to my apartment door, my tabby cat meowed her insistent welcome. In the bathroom, she waited for me to pull dental floss along the cracked linoleum, then pounced on the white thread in mock ferocity. She turned on her back, and I knelt to play my fingers over the warmth of her belly. Batting at my hand, claws retracted, she purred. When we went to bed, she curled into the bend of my knees while I cried in the dark. I could never abandon her.

On the back page of Westword magazine, near the personal ads and photos of escorts for hire, I found a therapist with a sliding scale fee. Esther was tall and beak-nosed, her dark hair faintly shot through with gray, and her gaze both alert and tender. Session after session, she listened to my stories, then offered a brief hug as we said goodbye. When Esther told me You’re a very strong person, I believed her. Before long, I registered for classes at the Denver campus of CU, toting shiny pumps that I’d slide on after class to hostess the dinner shift.

I didn’t understand–as I started my adult life that year–how my moods would continue to cycle. The tentacles of sadness that wound around my chest in November would sometimes swing upward in spring until I was filled with more energy than my body seemed able to handle. Much later, my mother’s family tree was lit up like a hazard sign with bipolar symptoms and diagnoses of her siblings and grandchildren. While my mood problems never crossed the threshold to that diagnosis, my patterns of withdrawal and impulsivity were much like my mother’s and—like hers–driven more by heredity than lack of effort or love. Now and then, with my grown sons, I will drive past the gentle slope of porch roof where my old cat would lounge on sunny days. Inside the upstairs bedroom that was mine are freshly painted white walls and a whirring ceiling fan. The neon light of Monroe Liquors still glows on the corner, but across from its parking lot are an upscale restaurant and a pie shop. Like a tour guide, I have pointed out to my family the landmarks of my lost days. My boys know well the vulnerabilities they’ve inherited, the tender traps they must navigate as they map their own adult lives.

Publication Number Two!

Down in the Dirt Magazine liked my piece “Nothing Bad Happens” well enough publish it in their May 2020 issue: http://scars.tv/cgi-bin/works_e.pl?/home/users/web/b929/us.scars/perl/text-writings/g8964.txt

Thanks to them, and thanks to all of you for your kindness as I slowly build my writing skills, which I couldn’t do without the blog’s self-imposed, twice monthly deadlines (loosely enforced as they are). More important, the rewarding jolt of attention from you, dear reader, makes my inner four-year-old very happy.

My adult self, meanwhile, has been drawing inspiration from my biking life. Several years ago, I stood in a friend’s driveway as he chatted with his neighbor about the Leadville 100 mountain bike race, a grueling hundred-mile, high altitude suffer fest. Registered for the race, he told us With two little kids and a job, I have no time to really train. But I’m not worried. I have a deep base. He’d raced in Leadville before, and spent years grinding out impressive mileage. I heard from my friend that his neighbor finished the Leadville 100 in only nine hours. For weeks we riffed about the deep base. I could ride that again, no problem. I’ve got a deep base. Writing muscles, like leg muscles, must be worked, then worked again, each repetition contributing to that under-girding structure.

The more I write, the more I realize that my writing base has only begun to be built. I wish it weren’t so. I wish the habit of writing was as ingrained as the pressure of my feet on bike pedals and the instinctive turn of my eye to the top of the rise. It took me years to learn the simple truth that the trick to riding all the way up a steep hill is to not get off the bike. The secret to writing, in the inimitable words of Annie Lamott, is to simply stop not writing. Get and keep your butt in chair. But I’ve been mountain biking—with a few lulls—for over twenty years. And I’ve been writing for only a few.

Well before the pandemic reared its ugly head, I struggled to keep consistent writing hours. And I agonize over finishing pieces.  Self-criticism screams at me to stop, but I am learning to roll my eyes at myself and just keep going. I only learned to stay on my bike on those climbs after I realized how hard it is to get back on it, to re-gain purchase on a gravelly incline is more work than slogging slowly along. I made a commitment to write because the satisfaction of making something beautiful has no equal.

I’ll have my deep base as a writer, eventually. The only way to fail at this is to stop and not start again. I may not be the most ambitious or self-disciplined person in the world, but I don’t know anyone more stubborn. My impatience and dis-tractability mask a mean resolve. I’ll keep pedaling. I’ll blog imperfectly, submit relentlessly, and take class after class. Every hour in the chair will be another mite of progress building that elusive base.

Downhill is differently wonderful. Last summer, near Keystone.

The Last One

Back then, I lived adjacent to the HIV pandemic, as cells share membrane walls. In 1984, when I was eighteen and flirting with a cocaine addiction, I had a lover with saucer pupils and long white fingers who tripped on acid through Thanksgiving dinner at my sister’s house, staring at brown gravy as it dripped over his mashed potatoes. In bed, a dreamy expression floated over his pale face as he described to me the incredible high of injecting heroin.  He was telling me this just after we had sex without a condom. I think he had recently started sharing needles.  

That young lover, whose name I’ve forgotten, danced with me at a party in the basement of a run-down Victorian he rented with three other men on Capitol Hill. While we shimmied to Sheila E, an exultant grin bisected his face, and locks of lightning-blond hair shook into his eyes. I had briefly dated this man’s roommate, a sweetly insecure blue-eyed boy who bussed tables at my first restaurant job in Denver. After work, that boy and I rode the number 15 bus down Colfax and had unremarkable sex on the double mattress that took up most of the floor space in my tiny bedroom on Monroe Street. As fall turned to winter, I lost interest in them both. I disappeared from that house where the bedroom door of the drug-dealing roommate was sealed with a heavy padlock.

At eighteen, I knew almost nothing about the burgeoning epidemic of my generation or about how close I would come to contracting HIV. I had probably heard the term “gay cancer” at a time in my life when simmering resentment of my imperfect parents blocked out much awareness of the wider world. The link between heterosexual transmission and intravenous drug use was just beginning to be understood in the mid-eighties, as new infections in the US peaked. Oblivious, I graduated high school and took a one-way flight to Denver, my plastic pack of birth control pills tucked in the pocket of a hand-me-down suitcase.

I count, but I can’t, the times I could have been infected with HIV–had I injected with that lover, or the next one. Had I gone to just a few more parties or liked myself a little less, I could easily have gotten hooked on coke or heroin. But by luck or some genetic saving grace, I was pulled back from the edge just in time.

I count, but I can’t, how many of the generous gay men who made me welcome when I moved to Denver after high school must have died; waiters who stood with me in the biting wind and told me to get a real coat, to look out for myself. Strong men with gentle beauty who hugged me goodbye when I went on to the next restaurant job, the next lost boyfriend.

How many men whose tables I seated with customers must have faded away to nothing before tolerable antiretroviral drugs were finally developed? The server at the breakfast place where I was hostess for a few months, and his girlfriend, who wanted to marry him and was waiting out his fondness for sex with men:  did they survive? His face was marked by acne scars and hints of purplish bruises. Tall and patient, he would stand by the register with me as our shift ended, keeping me company as I tallied meal checks on a punch calculator and counted out my cash drawer.

Uncountable moments of grace saved me from the self-destructive life I courted and shielded me from addiction to drugs to or risky sex.  The kind words of the car salesmen on Colfax, whose lot I walked past every day, soothed my loneliness. The crystalline beauty of distant mountains dusted with snow gave me hope.  Luck and privilege combined to keep me HIV negative. My imperfect parents gave me love and also paid my rent one month. When I finally applied to college, at 20, Pell grants and student loans covered all of my tuition. I didn’t fight racism to get my restaurant jobs. HIV went on to decimate communities of color long after it became a more manageable illness for those who could access care.

A virus itself doesn’t discriminate, even if health care systems do. With highly-evolved opportunism, it simply proceeds through bloodstreams and airways, doing its work of replicating as efficiently as possible. No, a virus doesn’t think about the next pandemic, or the last one.

Pandemic Lawn Care

In 1987, when the husband and I were starting our life together in Denver, we rented a tiny third-floor apartment in a white Victorian on Lafayette Street. Our bedroom snugged into a former attic and had just enough headroom between its sloping walls for two average-height people to stand up without hunching. The love nest, we called it.

On Sunday afternoons, we would ride our bikes home from the Auraria Campus, feed our cats, then walk over to Zach’s, the fern bar a few blocks away. There, we cheered on the Denver Broncos and their new quarterback, John Elway. As we came and went, we’d see our next-door neighbor, Louie, kneeling down with a sharp pair of scissors, cutting his grass by hand. Louie was short and lean, with a full head of steel-gray hair. He had a ready smile and a distinct accent from his birthplace–Vietnam, I think. His front yard was about the size of two picnic tables pushed together, and he loved his lawn with an obsessive love. Every few days, he knelt and snipped each tuft of grass, then lowered his head and squinted across the carpet of green, making it level, making it perfect.

Last week, sitting on a flat stone in my own front yard, I thought a lot about Louie. Like almost everyone, I was absorbing news of the pandemic and toggling unevenly between shock and grief. My lawn was scattered with two-inch dirt cores, left by the hollow metal spikes of a hand-held aerator. Pushed into soft earth at regular intervals, the aerator expels smooth-edged tubes of soil that lay about like large, stilled worms. As the sunlight lengthened and focused, I sprayed the hose back and forth over the grass, then gradually dissolved cylinders of dirt one by one. I watched the grains of soil melt back into the turf–each small, neat hole filling with muddy water that slowly drained away.

Lawn grass is a strict task-master; every chore has a non-negotiable order and season. Aerate, fertilize, water, mow. Repeat. How tedious! I used to think. How time consuming! But last week, instead of complaining as I used to about how growing grass well only creates more work, I thought, Wow, soon I’ll be able to mow again. That’ll take at least fifteen minutes. When you’re filling time, every minute counts.

The slow days I spend obsessing about my lawn are spent, in fact, waiting to see how quickly our hospitals will fill, how many more losses will be mourned in this neighborhood and around the world. The sorrow of these pandemic days is hard to fathom. In so many ways, I am privileged. All of my loved ones are fed, housed and–so far–well. Yet I feel as if a family member has died. Most mornings, I wake up and cry. I am confused about the smallest things, and I watch my mind attempt to sort the world into before the pandemic, and after. I need to do something. Wishing I could do much more, I work in my yard.

I water my lawn and think about Louie laboring hour upon hour, manicuring his tiny patch of Kentucky Bluegrass, far from his first home. Was Louie’s lawn so perfectly loved in partial response to his traumas, to the horrific loss of a predictable world? Standing in my yard, waving my hose over small holes punched into the ground, I wished I could go back and learn about Louie’s life before he came to Denver and started cutting his grass by hand. What happened in his long long life, before the oblivious young couple moved in next door? In our fragile human lives–where grief can never be measured–I feel the wisdom of his devotion to perfection, to one lush and comforting rectangle.

Tulip, planted pre-pandemic
Purloined pansies, thriving

Jammie Days

Saturday, March 14th

I fly home to Denver after an abbreviated trip to Washington, DC. My phone is loaded with pictures of the Anacostia River bike path and Degas paintings I saw at the National Gallery. Boarding my connecting flight in St. Louis, children are everywhere, spring breakers heading to Colorado to ski.  After landing at DIA, the concourse shuttle has a slowdown, and people press together like sardines as the train doors stand open.  A toddler with brown hair and sparkly pink pajamas sucks her thumb as she rests her head on her mother’s shoulder. The child stirs and smiles at me, then reaches out for the vertical hand rail I am also grasping. Her mother says Don’t touch that! But it is too late–her fingers are encircling the shiny metal post. Quickly, tenderly, her mother holds the small wrist still while another woman drops hand sanitizer on the child’s pudgy fingers. Her mother rubs it in, kisses her daughter’s cheek. A moment later, the thumb goes back in her mouth, and her eyes drift closed. The shuttle departs for the main terminal.

Winter sunshine on the Anacostia

Wednesday, March 18th

I am walking over to see my friend Pat, who had surgery while I was out of town. The sun is shining. I take long strides and feel soreness in my legs from biking the day before. Around the corner, my four year-old neighbor stands with her mother in front of a half-planted flower box. C has red hair and a piquant expression. Her mom and I say hello as I stand back and admire their purple and yellow and blue flowers.

Three dancers? Or one?

Look, I am in my jammies! C exclaims. I might wear them all day!

I think that’s a great idea, I respond.

On Pat’s shady porch, I drop a plastic grocery bag with half a dozen eggs and a few cough drops. I knock, then retreat to the sunlit steps.  She appears in the doorway, right arm in a sling and stylish gray hair parted on the side.  You look great, I say. You don’t look like you had surgery a few days ago.  She says, I feel pretty good, not having any pain. But, look, I’m still in my pj’s! They are lavender with a pretty print.

Friday, March 20th

Wet spring snow is plastered on the north side of every tree trunk and street sign, and the roads are rutted with frozen slush. I arrive for my Project Angel Heart delivery shift. They are short of volunteers. As I wait to receive my cart loaded with meal bags, I am arrested by the changed expressions of the bustling staff. Always kind, the planes of their faces today hold a determination and a focus that makes me straighten my shoulders and take a deep breath. There is no small talk today. Some staff and volunteers here today are surely veterans of the AIDS crisis–all dedicated to the giving of food as medicine.  

Midway through my route, I place three meal bags on a porch, ring the doorbell with my gloved hand, and stand back to wave a quick hello. A sleepy man comes to the door in tan sweat pants and says, Oh thanks!  We both smile as he pulls the bags inside the house. Instantly, though, he is serious. In a gruff voice he asks: What in the world are you doing?! I’m startled for a moment, but then he adds, Put a hat on your head—it’s cold out there!

Wet spring storm

Refuge

Inciting Email

After being cooped up too long with a cold, looking out at a brown Denver January, I drank coffee and quickly skimmed my email. The day was set aside for writing, to get one revision closer to finishing a stalled essay I’d started two years earlier. My brown backpack leaned heavily against the back door as I scanned my messages. Joy! A powder alert from Arapahoe Basin ski area! My favorite playground had gotten six inches of snow overnight, and ten inches in the prior twenty-four hours. I threw my skis into the car and tucked a small notebook into my pocked. It would be a different kind of writing day than I had planned.

I drove west on 1-70 and an hour later crested Loveland Pass, where blue sky outlined the majestic ridges of the Continental Divide. In the hundreds of times I’ve seen that 360-degree panorama, it never looks the same. With every fresh look, it stalls my anxious thoughts, deepening my breath from chest to belly.

Two hours after leaving the house, I was on the two-seat Pallavacini lift. Below me, expertly curled powder tracks on steep rocky terrain; above me, shafts of sunlight on sparkling evergreen boughs. I skimmed along the aptly named Cornice run with its views of the Ten Mile Range, then made my way to the Loafer trail. Powder flowed over the top of my ski boots as I glided through the widely spaced tree trunks along its flank. I stopped and angled my skis against the slope to look uphill, where a dark band of boulders offered a bounty of snow back up to the open sky.

Heavy with a story I yearned to tell well, I soon ascended the Beavers lift and made my way to a tiny restaurant named Il Refugio, a sanctuary at 12,000 feet above sea level. Resting my tired legs, I drank tea slowly, and started to write—again–about that time in my life when I hovered between the wisdom of innocence and the scarring messages of a shame-based culture.

As I wrote, Frank Sinatra crooned out of a hidden speaker, You make me feel so young! You make me feel there are songs to be sung. I looked out at the view and smiled at the sleight of hand that is time, the healing refuge that is beauty.

Katzel and Kinnell

Galway Kinnell’s slim poetry volume, When One has Lived a Long Time Alone was Printed by Knopf in 1990. Tracy L. Katzel—or someone else—tossed her copy in the dumpster behind my house over twenty years ago. Her signature slopes across the inside cover in faded blue ink. I found my first book of Kinnell’s poetry atop a pile of trash at a time in my life when I was a stay at home mom who didn’t know what else I wanted to do. I knew how privileged I was to have the option of delaying finding a paying job, but I was also afraid of claiming a more defined life of my own. Overwhelmed, I was lost in the tedium and the transcendence of raising three boys.

I soon memorized a poem by Kinnell titled “Prayer”: Whatever happens. Whatever/what is is is what/I want. Only that. But that. I journaled and read Kinnell in the bathroom. I went to therapy and scraped dried playdough off the cracked linoleum of the kitchen floor. Wait, Kinnell writes. You’re tired, we’re all tired, but no one is tired enough, and the need for new love is faithfulness to the old. I didn’t know what I was waiting for, what I loved besides my family life.

I worked part-time for a temp agency, then for a non-profit. I thought about divinity school, but instead chose a graduate program in counseling.

Jotted inside the back cover of my dumpster-found poetry book is a phone number I called to ask for an internship at a substance abuse agency. I was turned down, but called again a few months later and found someone willing to supervise me. That internship became a paid job. I’d gone from wondering what I wanted to stalking goal after goal—a degree, credentials, experience. I savored time with my clients, unwinding their stories together, listening as they engaged with their own heart-held wisdom. Within a few years, I was hired full-time at the university counseling center where I had trained. It was my dream job, with an incredible team. So much waiting, fulfilled.

Returning to work from a funeral to find flowers and love on my office desk.

And then. Then I learned in a different way that dreams come true and change shape and give way to other dreams. Almost five years ago, I stood by my desk with my cell phone pressed against my ear and my pulse racing—another family health crisis, out of the blue. At the same moment, a colleague appeared in the doorway, alerting me that it was time to help our new batch of counseling trainees with role plays. From the middle of my forehead down through my torso, I felt pulled apart. One arm reached toward my office door and the other kept the tearful voice of my loved one pressed to my ear. In that moment, I knew I was leaving that job. At 49, I resigned my position, and began the long round of goodbyes with clients.  

I had no plans to write, just a commitment to a more balanced and peaceful life. I savored open days of reading, of geriatric dog care and of waiting for my youngest, a high school senior, to walk in the door. One of my son’s teachers asked me, So, you’re just a housewife now?

Geriatric poodle of old.

I bought a used copy of Kate Chopin’s The Awakening at the Tattered Cover book store. I’d last read it as an undergraduate and had never forgotten the term “mother-woman,” Chopin’s phrase describing women who offer not just their lives, but their very selves to their children. Caught up in the story of Edna Pontellier coming to her senses, I turned a page and saw a speck of black between the pages, a hard crescent of sunflower seed husk. I smiled at the startling artifact of another reader’s concentration and pleasure.

Kinnell woke me to poetry when I was a mothering woman (if not the self-sacrificing “mother-woman” Chopin disparages). But the desire to write came to me slowly after I left the formal work world. It was consistently fed by those years of reading Galway Kinnell. He died in 2014. A few years later, a hefty tome of his complete works arrived at my door–a gift from a writer friend whom I had told about my dumpster-found treasure. As I wend my way through Kinnell’s body of work, my love for the healing power of words continues to grow.

Whatever what is is, is what I want. Thank you for that prayer, Galway Kinnell. And thank you Tracy L. Katzel, wherever you are.