Categories
biking Memoir Writing

Beetle Murder & Bipolar Disorder

Japanese beetles are iridescent green, shiny–and beautiful. I admire the engineering genius in the strong grip of their tiny claws and the protective shell of their winged backs. I murder them because they feast on all my favorite garden plants: Virginia Creeper vines become laced skeletons; rose and hibiscus blooms are hollowed out before they can unfurl. Day after day for three summers running, I killed the destructive fliers by the hundreds–shaking them into drowning bowls of soapy water.

This summer was bountiful, disorienting, and full of noxious invaders. Covid 19 seemed to be exiting stage left while we adjusted to socializing and the smiles of strangers, then—well, you know that story. Between visits from long-missed friends and during breaks from clouds of wildfire smoke, I was on the couch or on a bicycle. My write-ride-repeat summer plan quickly became a ride, read-a-little, ride-some-more reality. Then all of a sudden, there was snow on the deck, and I hadn’t written in what seemed like forever.

I had fought a losing battle with hungry beetles in the city, and with noxious knapweed in Fairplay.  Knapweed is a thistle that sprouts in soft green tufts in the spring only to morph into two-foot high shrubs holding hundreds of needle-sharp seed heads. It has been my enemy roughly since the time that my son was diagnosed with bipolar disorder, which was around the same time that my mother was dying. My therapist then heard a lot about knapweed. And she once asked me to say out loud the names of each person I loved who had died over the previous eighteen months. I only made it to four, about half way, before losing track and crying. But I pulled a lot of knapweed that year, grateful for one thing that I could destroy back.

This August, while I was obsessing about beetles and knapweed instead of writing, Sunlight Press published an essay of mine that included more about bipolar disorder in our family than I’d written before. Encouraged by the journal’s editor, and with the full blessing of my son, I connected the dots between my mother’s illnesses, my own first major depression, and my son’s bipolar diagnosis. (Have a look if you missed my post about it on Facebook: https://www.thesunlightpress.com/2021/08/22/colfax-and-monroe/).

The more I write, the more I learn to write about (if not publish about) the hardest things. I step into those memories and experiences not out of self-pity, but because they are the truest stories I have. They help anchor me to my current happiness, providing contrast, expanding my gratitude. Maybe those stories also have the most potential to help others.

I chose to become a therapist many years ago because I wanted to be part of transformational conversations, and to be genuinely helpful. Maybe I was most helpful on days that I felt like a failure in my own life, when I was blind to the generational patterns that look so obvious in retrospect. Maybe the counseling I offered on days when I showed up to work confident and energized were my least helpful days in the profession. Possibly, the days I needed to cry in the parking lot for an hour before I could walk into my office were my days of most lasting service to clients.

No shining cosmic memo will tell me that something I did as a therapist or wrote since that time made a real difference to another person. But, like the genuine practice of psychotherapy, a genuine writing practice shifts me away from my petty, narcissistic side and toward a vision of a better world. Beetles and knapweed and bipolar and all. Looking deeply inside ourselves and telling the truth about what we find there, is, I believe, inherently healing. And the more I write, the more of that I want.

View from an evening ride.
Looking toward Kenosha Pass
Late summer sparkle.

Categories
biking Writing

Death by Butterfly

In Staunton State Park, a haven of hiking and biking trails near Conifer, Colorado, Elk Creek becomes Elk Falls in one precipitous cliff dive. Smooth dirt trail winds through majestic evergreens, then transitions to connected squares of hewn rock swirled through with reds and grays, as if from an artist’s brush. Expertly etched into the hillside, the trail is wide as a sidewalk and rides like a dream. On a recent Sunday, I gripped my handlebars and pushed hard into my pedals, then relaxed to coast a gentle downhill with stunning views.

Suddenly, my mountain panorama was bisected by the dazzled flight of a butterfly. It floated upward and to my left, shimmering with the bright yellow of fleeting summer. My inner five-year-old sang out, Butterfly! Look! Ooh! Beautiful!  My front tire was instantly way too close to the edge, but a surge of adrenalin powered my handlebars up and my left foot down, preventing a gritty shoulder grind into the trail. A no-fall wake-up call.

Oh, the perils of daydreaming—that creative drift so essential to a writing life, and so perilous to life on the trail. The more I write, the more awake I am; conversely, the less I write, the less connected I seem to be to the world and what I am doing in it. If I’m not working making things, all the biking in the world won’t bring me focus or peace of mind. This has been my lesson of mid-summer.

In my notebook and on my bike saddle, I ask, Am I here yet? Trying to gauge whether I’ve dumped my distractions and self-criticisms sufficiently to have a date with creativity. On the bike, I instruct myself aloud: Right here, Right now!

On downhill rocks or in writing slumps an uncluttered mind offers the body a chance to do what the busy mind can’t conceive.

A few days after my near-death by lepidoptera, I get another, gentler, wake up call. Near our cabin is a short, steep forest road that I use as a timed fitness test, challenging myself—obsessively this year–to shave five or ten seconds off the quad-burning climb.  Today, the husband asks me, Are we busting your personal record today? And I tell him, Nope. Today, I’m going to see how slowly I can ride it.

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Another day, another trail

I switch gears and steer a wide arc to avoid smushing a caterpillar that lumbers blindly across the dirt road. Last year, with drought everywhere and wildfires not far off, I don’t remember seeing a single caterpillar. But now, a small white butterfly ambles from right to left in front of my tire and slips through the spokes of my slowly turning wheel. I keep this insect-friendly pace and look left and right as I make the steep climb. I see for the first time how a flower-filled meadow is shaped like an arrow, pointing down toward the light-layered hills of South Park. My slowed breath scents wild rose mixed with pine, as if a mountain-sized flower has just opened all around me. Life after death by butterfly.