Categories
Memoir

Oatmeal

On a cold morning, Mamma makes oatmeal while my sister and I wait for the dusty ovals to soak up salty water and turn into food. Only Martha and I are eating this breakfast. Ruth and Kristin have left, Ruth to junior high school and Kristin at the forever-away high school. Martha and I go to Green Valley Elementary, across from and above the curved parkway outside our front yard. We can see our house from the school yard. Looking down through the chain link fence, our red brick house looks tiny. We can’t see school from our house, only the twin lines of cars snaking in different directions, and the steep concrete drain that sometimes gushes muddy rainwater into the low, paved creek bed.

My mother’s back is to us while she stirs the boiling oats. She looks big in her zip-up robe that hangs like a capital A from her shoulders down to her slipppered feet. She has smoothed her brown hair with a comb, and it lands exactly at the collar of her robe. Turning toward us, she has her cooking face on—cheeks pink, lips in a straight line, and concentration tugging her dark eyebrows together.

How do I know she is beautiful? Is it the way her eyes balance perfectly in her face? Those eyes that can be extra blue or extra green depending on the light? Is it how carefully she pulls herself together for the world, putting makeup on before she goes out to the grocery store? I know she is beautiful because she is my Mamma, and she takes care of me. She is special because she is Icelandic. I see how other people look at her, their smiles of admiration, or of envy.

In the kitchen, when she turns around and looks at us, her sixth and seventh children, the hungry girls of her second marriage, her smile brightens the air around us. My sister and I stop arguing and notice the sparkled air. Without any makeup, Mamma’s face looks easy and free. Her eyebrows let go of each other. She is all soft morning, the promise of warmth and fullness.

Breakfast is ready! She reaches to pull juice glasses from the cupboard. Martha and I have been distracted from our waiting by stirring the orange juice, concentrate slowly blending with water in the oblong Tupperware pitcher. Daddy lets us do this every time, telling us the two meanings of the word “concentrate.” He is at work or maybe asleep after a night shift.

Mamma gets tired of listening to us talk about the melting chunk of orange ice. We can argue about anything—who has had the best turn with the long-handled wooden spoon, who was right about whether there were any ice chunks left to stir or poke at, who wants to watch the thick orange goo melt to the bottom of the container or keep taking turns stirring. We argue about who gets the fanciest spoon, maybe a silver one from Iceland. That’s enough, Mamma says, patient today. She takes the pitcher we have argued over, snaps the plastic lid on top, and shakes it smooth, with no layers, no clumps.

She fills our glasses, and we drink greedily. The juice clears a sleepy taste from my mouth, paints my tongue bright for the day to come.

I fix my steaming bowl the special way Mamma once showed me, with a snow-layer sprinkle of sugar over the top. I lift the edges of the smooth oatmeal to dribble cold milk between it and the edges of the bowl. Melted sugar glistens on the surface as milk floats my breakfast like an island: it looks perfect.  But by the time I have finished making it just right, it is stone cold. I don’t want it anymore. Mamma tells me to be careful, that if I don’t eat my breakfast, the wind will lift me up and carry me away like happens sometimes in Iceland when children don’t eat enough. I look up at her, startled, but she has turned away. I spoon a few bites into my mouth and swallow them with a tight throat, seeing myself stuck in a tree like a lost kite, wanting to get back down to the ground. After we put on our coats, she kisses us goodbye, and the two of us step outside into the chill air. I don’t understand my mother. She was telling a lie, Martha explains. The wind can’t be strong enough to blow us away. Maybe it can in Iceland, but not in America.

I snap back at her, I know that! I wasn’t scared! Silken relief wraps me in warmth. Martha lets me walk with her all the way to the corner of Catskill Avenue before she runs ahead. I wish I could be in third grade, and fast like she is, smart enough to not be scared by made-up stories.

Categories
Memoir

Pow

I sit on the sturdy kitchen chair, waiting for my breakfast while Mamma stands at the stove. My big sister Kristin walks in quietly and doesn’t look at me at all. I must have heard her get into trouble the day before, but calm has lingered overnight, and I’ve forgotten this morning to be scared. I don’t even tense as she strides into the room. As I daydream, Kristin walks up behind me, inches from our mother’s back, perfectly between the two of us. She pauses. At fourteen, she is twice my height and more than twice my age. Her fist flies up, high and fast, then smashes down on top of my head. Somehow, her hit doesn’t make a sound except in my skull, which echoes with a metallic clang.

Mamma keeps cooking. It was a silent POW, like in the batman show with the volume knob turned all the way to the left. White lights sparkle in front of my filling eyes. I am back to my senses and back to watching out for the unpredictable.  If I make a sound or if I cry, it will only be worse for me later. Shame settles into my empty belly. I look at the white table, at the circle of clock on the wall. The red second hand moves fast enough that I can sit very still and watch it go all the way around, across the small black lines that mean minutes, past each of the big numbers that tell hours. Kristin sits down and takes a sip of orange juice.

I earned my head bash by being a tattle. Like the chimp spy Mata Hairi, sidekick to Lancelot Link on Saturday morning TV, I was recruited to watch my sister. Kristin had wanted to go for a walk, but mom knew she wanted to smoke, to escape rules and control, so she ushered me along. I was excited to walk all the way around the block with this tall, powerful sister. I loved the after-dinner walks I’d sometimes take with my dad. He would smoke a cigar and point out interesting things about the bark on trees or the short summer lives of insects. So, a walk around the block was an adventure.

As soon as Kristin and I turned the second corner, though, just out of sight of our house, she retrieved her cigarette and matches from their hiding place in her sock. She lit up and looked hard at me. You can’t tell, she announced. I took her statement at face value–not just that I shouldn’t tell, but that in fact, I couldn’t. I was unable to tell on her. Her blond hair hung in straight lines next to her face, her expression a blend of defiance and determination.  I walked under the umbrella of her authority and in the plume of her cigarette smoke all the way around the block.

Later that day, mom sat me down and looked at me hard.  Did your sister Kristin smoke with you today?  Telling me as she stared into my eyes, Don’t lie.  I can tell by your eyes if you are lying.  Of course, I lied the first time she asked, and probably the second time, too.  I was aware of the treachery of telling on my sister.  But Mamma could read my eyes and my mind. I can see you are lying. Did she smoke?

I looked at my mother’s face and realized I was caught.  I crumbled and started to cry hard. I did see Kristin smoke! I’m sorry I lied. I wasn’t supposed to tell.

And then a quiet day. I had forgotten all about it before Kristin walked into the kitchen the next morning.  Pow.

mom and us for blog (2)
Kristin’s hands on my shoulders on a holiday morning.

 

 

Categories
Memoir Writing

First Publication!

Dreamers Creative Writing picked my essay “I Don’t Speak Icelandic” as a runner up in their essay contest!  I hope you like it, too:

https://www.dreamerswriting.com/writers-choice/jenny-lynn-ellis/

Please consider giving these kind Canadians your email address.  You can also subscribe to my blog via email and receive notification of my posts!

Categories
Memoir

M&M’s

Even when I’m not hungry, I walk my little girl body around the quiet house, sneaking candy. I grab the long handle of the fridge door and pull, pushing my feet hard onto the slippery tile floor. I yank until my fingertips hurt, until the magnetic strip creaks away from its mate and the door whooshes open. Disappointing containers of leftover cabbage and boiled potatoes are at my eye level, and above them sits a half empty jug of skim milk. But on my right, in the door shelf, gleams an open bag of M&M’s. Shapes I know to be letters adorn the outside of the black sack, while inside wait shiny blues and vivid greens and happy yellows. When I push my hand into the bag, the candies jangle like the notes of a song. I lift the bright circles up and push them into my mouth.

Cheeks bulging, I take another fistful, less careful to be quiet on this second foray into badness. My brain squeezes with fear. Can someone behind a closed door or down the long staircase hear the candy grinding between my teeth? I close the tall door of the fridge and step into the dining room, hiding in the folds of the curtain fabric. Shells of cold M&M’s break under my teeth and press sharp points onto my tongue. Soon, the colors melt into pure chocolate softness. As I chew, my empty hand un-clenches its sticky grip on itself. I stare at the colorful pattern of candy prints on my palm as my tongue absorbs the shock of sugar. A clock ticks. The back of my throat aches.

I step out of my hiding place and open the fridge again. My hand dives low for M&M’s, but the bag is almost empty.  I leave the last few candies as a suggestion that I didn’t eat so many, that maybe it wasn’t me. But the next morning, that bag is gone, never to appear in the fridge door again. A few days later, my mother snips open the corner of a new bag and puts it in the high cupboard, above the stove where she thinks I can’t climb. I learn to pull a heavy chair over and balance on the margins of the turquoise stove when the burners are cool. She moves the M&M bag again, but I find it, eventually, in her top dresser drawer, next to gauzy scarves and plastic orbs of L’eggs pantyhose. I plunder what she hides, my heart hammering in my chest.

I sneak. I risk for sweetness.

Before our parents go out to a party, after we’ve eaten the crusts of our chicken pot pies and drunk our glasses of milk, Mamma stands in her high heels and Mom and dad partycounts out M&M’s for me and my sister. We get fifteen each, in small metal cups meant to hold soft boiled eggs. I have polished Daddy’s black shoes until they shine. They sit on a section of newspaper by the kitchen door, waiting. Save your M&M’s, Mamma says, before our parents drive off into the evening. Make them last a long time!

Curled like commas, my sister and I face each other on Mamma and Daddy’s big bed, watching TV. We sort our candy into colors and compete over who can save hers longest. Negotiating a trade, we argue about the brown ones, so plentiful, and whether they taste as good as the rare green ones do. The night gets longer and later. I let the candies rest on my tongue, one at a time, until their hard cases melt away.

We have worked our way through Saturday night TV all the way to Perry Mason, whose serious face surprises me every time that he confronts a conniving murderer on the witness stand, thus freeing his unjustly accused client. Perry MasonAfter the local news, Rod Sterling’s voice describes the time I dread: The Twilight Zone. I am sleepy, but I won’t go into our room alone, so I put a pillow over my head and drift off. I don’t wake up when my father carries me to my bed.

Thirty years later–as a grown woman with children of my own– I visit my parents in Florida and quietly search my mother’s house for sugar. I plunder the M&M’s again, finding the magical black bag in the drawer of the sideboard in her dining room. I eat M&M’s until nausea and self-hatred volley a tennis ball in my adult body, back and forth, back and forth. All I can do is sit still long enough for self-hatred to win. Then I go back for more candy.

Categories
Memoir Writing

Blind Spots

When she was a lanky teen, miles taller than I was, my sister Kristin once let our mother pluck her eyebrows. Her blond head on Mamma’s lap, face contorted into a grimace, she allowed our mother to tweeze the rectangles above her eyes into surprised arches. Then Kristin stood in front of the hall mirror, fuming, as tiny red welts appeared where errant hairs had been removed. In the weeks that followed, brown spikes grew back into their natural place above Kristin’s eyes. They were not plucked again.

My mind’s eye sees clear memories like this one only after a year of struggling to write anything worth keeping about Kristin. I stopped every single time I re-read this odd statement of mine: “Over the years, Kristin and I had managed a polite but respectful distance from one another.” It didn’t strike me as a lie so much as just a weak sentence. But those easy words lifted me into a comforting cloud of dishonesty, far away from what I really felt about my adored and feared big sister.

The truth about my relationship with Kristin–and about her life–is complicated and painful. She was adopted by my father and his first wife, making Mamma her third mother. She had unpredictable bursts of violence when I was little, leaving me watchful and wary. And when Kristin died unexpectedly, six years ago, she was only fifty-four. Honest and graceful words elude me. Kristin was a nurse and a daughter, a sister and a rebel. What I called “polite but respectful distance” in our relationship was simple fear. I was slow to open my heart to Kristin, almost to the end.

A few weeks ago, I received a personal and encouraging rejection email from a journal editor who asked for a revision of an essay I had submitted, an essay about my mother and her Icelandic homeland. The rejection note included the words “very well-written” and “interested and invested in this essay”. I was—and am—thrilled. The editor suggested that I expand and clarify the relationship dynamics between me, Kristin, and my mother. I had included Kristin in my story, but only as a ghost, not as the girl who had hit, or the high school graduate who had left for Iceland, then come back, before leaving again, for nursing school in Chicago. In that essay about my mother, I had blindly left Kristin’s story out.

So, day after day, I re-write, giving Kristin real space on the page. I try and I try not to lie. I describe her awkward place in the middle of our big family, where she stormed in justifiable outrage. I see her body, recovered from anorexia and from alcoholism, but never fully healthy. I write about Kristin’s decision not to see any of us for a long time, and about the grace in her decision to come back to us while our parents were still alive. As I write, the tears flow and the words float like icebergs freed from a glacier shelf. I sit at my keyboard, tapping with one hand and wiping tears with the other.

The more I write, it seems, the more I get to trust the process, including my blind spots. And today I am so happy to see the Kristin who looks out of this photo, holding and shielding me. I have missed you, big sister.

kristin & me (2)